Nancy Drew Series
Also please visit: www.hawaii.edu/lruby/#NDS

The Secret of the Old ClockThis print investigates time. Various clues to how time is told are presented within the organizing composition of an American Craftsman mantelpiece, an architectural structure from early in the Twentieth Century.
Central in the print is Nancy Drew, as portrayed in the 1930 dust jacket, hurrying through the woods with a clock under her arm. Also shown is Charlie Chaplin as a victim of time and motion studies from the film Modern Times. Other components include the phases of the moon, a speeding roadster, and a reference to a classical notion of changing time. Also, a note hastily written in shorthand asks for your "help."
The Secret of the Wooden LadyMy "Nancy Drew Series" takes as its primary reference the fictional woman detective, Nancy Drew, the subject of an extremely popular series of books in American culture. The character Nancy Drew represents the independence and problem-solving intelligence of the detective figure, while also alluding to the independence, creativity and determination of the artist.
This screenprint explores the seafaring world. Intended in 18th and 19th century America as a visual identification of a merchant vessel's economic cargo, the figurehead in this print celebrates the skill of draftsmanship necessary to create a seaworthy vessel, draw an image or letterform, or pen a literary work of art. She holds a pen and scroll, a woman of letters gracing the prow of a ship. And on the scroll is a corner of a marconi-rigged sail, the "clew"—the aft-most corner of a sail. Buster Keaton, the "great stone face," launched his career with a brilliant comic bit on launching ships. Here, he pauses atop the as-yet-unbuilt boat to view the "wooden lady."
The Secret at Shadow RanchThis screenprint explores the world of the moving image—here specifically the circular movements of a zoetrope which is the forerunner of moving pictures. There are two events taking place: the creating of separate images that when shown in rapid succession the viewer perceives, through persistence of vision, as a continuous movement within the image; and the setting of lights for photographing such images. The second event involves a revolving zoetrope displaying Eadweard Muybridge's famous answer to Leland Stanford's question about motion—all four legs of a galloping horse are indeed off the ground at the same time.
The Message in the Hollow OakThis screenprint reveals a mystery played out on a favorite American pastime, the game board. The cards in the deck represent chapters from this particular Nancy Drew book, and images from the text appear at intervals along the "yellow brick road." The viewer enters into the work with the commonplace American popular culture locator, "You Are Here"—familiar at malls, zoos, museums and the like. The viewer playing this game then passes through the portal to the egress—a reference to P.T. Barnum's American Museum. Sam Spade, the detective in The Maltese Falcon, is located near important digging of clues.
The Sign of the Twisted CandlesThe Sign of the Twisted Candles deploys various visual and verbal puns and allusions to western artmaking, to suggest connections among theories of the two-dimensional picture plane, three-dimensional perspective and the later time arts. The whole scene is illuminated by the large candle.
What this taper's light also shows is a disgruntled fellow "throwing the book" at western art, unable to accept the depiction of visual reality. Nancy Drew appears both as shadowy artist painting the light and as an active sleuth in the scene.
The Bungalow MysteryThis screenprint alludes to how the "practical arrangement of space" that architects, house builders and carpenters seek, is like the artist's task. The elements in this composition include the tools of construction in a practical workshop, including a drawknife, with Nancy Drew silhouettes surveying and measuring the scene.
The Secret of Red Gate FarmThis screenprint is an homage to Edward Hopper and his remarkable paintings Gas and Four Lane Road. In The Secret of Red Gate Farm, as in Gas, it is twilight, the time of day when your eyes play tricks and a Mobilgas Pegasus might leap into the approaching night sky. This gas station bears the sign "last chance for ...."
Varieties of the color red suffuse the composition–neon red, brick red, enameled red and wooden gate red-brown as a further allusion to Hopper's compositions and to the title of the Nancy Drew Mystery.
The Mystery at Lilac InnMy "Nancy Drew Series" takes as its primary reference the fictional woman detective, Nancy Drew, the subject of an extremely popular series of books in American culture. The character Nancy Drew represents the independence and problem-solving intelligence of the detective figure, while also alluding to the independence, creativity and determination of the artist.
This screenprint is the next to "last" in my "Nancy Drew Series," and shows the artist and detective in a rain soaked house, with her invaluable magnifying glass in her pocket tracking, with wet footprints, some possible villains. Their raingear and boots are seen on the far wall, while Nancy sleuths the situation. On the lilac painted wall behind her, a shoehorn artwork alludes to Magritte's "This is not a pipe."
The Mystery at the Moss-Covered MansionThis screenprint is about the art of painting, the many decisions that go into creating an artwork and choosing the subject matter. The subject matter of the easel painting is a peaceable kingdom, similar to many painted by Edward Hicks in the nineteenth century. As a Quaker he believed in peaceful coexistence of all creatures. But Woody Allen reminds us that while the lion will lay down with the lamb, “the lamb won’t get much sleep.” The table with claw feet suggests another animal in the kingdom. The paints on the palette are the primary colors, and the paint brushes are set in the can with bristles upward. This is a reference to the artist Jasper Johns who created a sculpture of a Savarin coffee can of his own painting brushes turned downward. The Spam can depicted here refers to the can often found in Hawaii.